There’s an interesting “formal” or type feature at work in the way these noble mentors appear—and from this we can infer their special nature.
The natures of normal characters resides in their primary substances, in their bodies and embodied personalities. Mundane characters are bodies first, and their names merely pick these o...
As you all know by now, something terrible was released on the world last September. The cinematographer of John Carpenter’s The Thing (1982), Dean Cundey, revealed that there is a way to determine who is a Thing at the end of the movie:
CSH: We are watching The Visitor (1979). I was thinking: This movie is a bit cheesy and it’s a bit dislocated. But it’s great material for analyzing a perfectly workable mythology:
It explains evil. Evil is the survival instinct inside limited resources plus the trauma of meiosis.
I just realized while washing dishes that the The Twilight Zone (1959–64) theme is also the Night Gallery (1969–73) theme, only the rhythm is different. Not only that, but the same music also appears in the great Night Gallerypilot episode (the one with the awesomely scary episode feature Roddy McD...